The Art of Spellcasting

Spellcasting is an art and a science, as there are many factors that must be considered. The phase of the moon, magical correspondences, planetary influences, raising energy and even the time of day can all play a part in your spell. Although it may seem so, there is nothing supernatural about spellcasting. As witches, we work with the natural forces of the earth and the universe. Once our spell is cast successfully, it is a matter of time until circumstances line up and our goal begins to manifest.

We must first ask, what is a spell? Spellcasting is but one form of magic. It is a method of communicating our desires to the universe, so that the universe can respond and manifest our desires into physical reality. There is an old magical saying, “As above, so below”. This means that in order for something to manifest in the visible realm, it must first be present in the invisible realm. Your spell is what places it there. Another magical concept is “Like attracts like”. Using energies and objects that have a connection to your goal will help it to manifest faster.

There are six keys to effective spellcasting. The first one is Altered Consciousness. If you want your spell to work, you must first learn how to alter your consciousness. This can be achieved through controlled-breathing exercises, meditation, visualization, chanting or drumming. Incense smoke, candles and relaxing music can also help. Once we alter our brain waves to the Alpha state, we have reached the magickal mindset, the state of ritual consciousness. In Alpha we become more sensitive to the unseen realms, and we are more open to receive psychic information. Healing abilities are enhanced and we are better able to communicate with our dieties and spirit guides. Alpha has been called by some the “daydream” state, when we are relaxed yet still aware of our surroundings.

The next key for effective spellcasting is to have a Clear Intention. Know exactly what you want. If you are indecisive or unsure about what you want, it is unlikely to manifest. Your focus should be on exactly what you want, and not on what you need in order to have it. For example, if you have a bill that needs to be paid, focus on the bill getting paid and not on the money you need to pay it. You don’t want to limit how the universe manifests your goal. You might get a check in the mail from an unexpected source, or you might be contacted by the bill collector informing you there was a mistake and you don’t owe anything after all. Remember to focus on the outcome and not on how it manifests.

The third key for effective spellcasting is to have a Strong Will. It must be something you truly, earnestly desire and you are determined to see it happen. A determined mindset is key. The more emotionally involved you are, and the more of that energy you put into the spell, the more likely it will manifest.

The fourth key is to Raise Energy. You may choose to repeat a chant multiple times, first softly then increasing in volume, then returning to a soft tone. Some choose to write an incantation on a piece of parchment paper, and then burn the paper while reciting the incantation. Others may dance around in a circle, beat a drum or sing. You may raise energy any way you choose. Be creative. Use your intuition to determine when enough energy has been raised and when it is time to release it.

The fifth key to effective spellcasting is the Expectation of Results. Know that it is going to happen. If you begin to have doubts, or start thinking to yourself “It didn’t work”, then you have short-circuited your spell and it certainly will not happen. I have, however, known some folks who were skeptical of the magical process, and their spell manifested anyway. It is important to try your best and maintain a positive expectation of results. Visualize it as already happened and place yourself in the picture.

The sixth and final key of effective spellcasting is to Let It Go. Don’t obsess over it and do not talk about it. Keep it to yourself until it manifests. This is rather important. It is one thing to have a positive expectation, but if you are constantly thinking about it, then you are calling that energy back to you instead of letting it do it’s work. Cast your spell, maintain a positive attitude, and let it go.

Now we will examine the days of the week and the magic associated with each one. These are some of the traditional magical associations, but if you feel something different will work for you, then by all means use it. A wonderful thing about magic is that it can be individualized. Symbols, colors and scents can mean different things to different people. However, these correspondences have power because they have been used for centuries. It would not be wise to disregard them completely.

MONDAY

Name: Day of the Moon

Celestial Influence: The Moon

Colors: White, Silver, Purple

Crystals and Stones: Moonstone, Clear Quartz, Smoky Quartz, Selenite, Amethyst, Pearl

Herbs and Plants: Moonflower, Lavender, Sage, Jasmine, Mugwort

Magical Workings: Goddess Worship, Divination, Spirit Communication, Meditation, Introspection

TUESDAY

Name: Day of Tyr (pronounced “teer”). Tyr is a Norse god of law and war.

Celestial Influence: Mars

Colors: Red, Black

Crystals and Stones: Red Jasper, Bloodstone, Garnet, Ruby, Carnelian

Herbs and Plants: Red Clover, Damiana, Cinnamon, Basil

Magical Workings: Resolving Conflict, Assertiveness, Courage, Force, Male Sexuality

WEDNESDAY

Name: Day of Woden. Woden, or Odin, is a Norse god, the mythological inventor of the runes.

Celestial Influence: Mercury

Colors: Yellow, Orange

Crystals and Stones: Citrine,Tiger’s Eye, Calcite, Yellow Jasper, Amber

Herbs and Plants: Mint, Daffodill, Calendula, Pumpkin, Saffron, Marigold

Magical Workings: Memory Retention, Safe Travel, Learning, Ritual Writing, Communication

THURSDAY

Name: Day of Thor. Thor is a Norse god of thunder.

Celestial Influence: Jupiter

Colors: Green, Brown

Crystals and Stones: Tree Agate, Aventurine, Emerald, Jade, Malachite

Herbs and Plants: Oak Moss, Patchouli, Eucalyptus, Cinquefoil, Bay Leaves

Magical Workings: Career, Finances, Advancement, Growth

FRIDAY

Name: Day of Freya (pronounced “Fray-uh”). Freya is a Norse goddess of love and beauty.

Celestial Influence: Venus

Colors: Red, Pink, Blue

Crystals and Stones: Rose Quartz, Lapis Lazuli, Blue Lace Agate, Rhodocrosite

Herbs and Plants: Rose, Lavender, Lilac, Yarrow, Thyme

Magical Workings: Romance, Friendship, Family, Fertility, Self-Esteem, Female Sexuality

SATURDAY

Name: Day of Saturn

Celestial Influence: Saturn

Color: Black

Crystals and Stones: Black Obsidian, Black Tourmaline, Black Onyx, Jet

Herbs and Plants: Henbane, Hellebore, Belladonna, Blackthorn, Mandrake, Hemlock, Foxglove, Datura, Snapdragon, Mistletoe, Wormwood. Most of the herbs and plants associated with Saturday are poisonous and must be handled with extreme care.

Magical Workings: Protection, Banishing, Binding, Removing Obstacles

SUNDAY

Name: Day of the Sun

Celestial Influence: The Sun

Colors: Gold, Yellow, Orange

Crystals and Stones: Sunstone, Citrine, Yellow Calcite

Herbs and Plants: Sunflower, Heliotrope, Fennel, Goldenseal, Dandelion, St. John’s Wort

Magical Workings: Success, Achieving Goals, God Worship, Ambition, Illumination, Revelation

You now have learned some of the basics of spellcasting, but there is so much more. As you grow in your practice of witchcraft, you will discover what works best for you. Listen to your intuition, and let your deities and guides assist you in casting your spells with power and stronger focus.

The Dark, The Light and In Between

The brightest flame casts the darkest shadow”. (George R. R. Martin)

When we examine the qualities of the Old Ways witch, we can see they are not far removed from what some call ‘Traditional’ Witchcraft. The strong connection to the powers of the Night, poisonous plants, interactions with spirits and the dead, and so forth. These are often looked upon as ‘darker’ elements of witchcraft, but they have always been part and parcel of it’s practice. Many in the pagan communities shy away from these things and prefer to focus on the Light, but this only causes an imbalance, as the Darkness is equally important. There is nothing to fear from darkness. It hides, obscures, protects. Regard it as a friend. The darkness holds many secrets. It is both enchanting and mystical. Let it surround you like a veil. Those who dwell in the shadows are a unique and set apart community. Find strength and solitude in the darkness. Appreciate it’s beauty and strange quietness.

Magic is best practiced under the cloak of darkness, by candlelight or the light of the moon. During the very late hours of the night when much of the noise and chatter have ceased, it is then that psychic energies can flow unhindered, and communication with the gods and spirits is much clearer. It is a time for powerful witchery. Dark Magic is often misunderstood to be enchantments that are intended to cause harm or injury. This is not entirely true. Magic is a neutral force, being neither black nor white. While a practitioner may use magic for malevolent purposes, labeling this as ‘dark’ is somewhat of a misnomer. The Dark is not always harmful. The Light is not always beneficial. Malevolent Magic and Dark Magic are not necessarily the same thing. Dark implies that which is hidden, that which is unseen. In fact, this is the definition of the word occult: hidden wisdom. It is knowledge that is hidden from those without the awareness or discipline to uncover it. Dark also implies the aspects of ourselves that we keep hidden from others. Everyone has a dark side. Everyone. Yes, even you. We all have secrets that we keep from others. We all have private issues and problems that we need to work on. Some of them are legitimate problems, and others are not really problems at all, but we perceive them to be problems because of social conditioning. These are our secret fears, guilt or shame, whether self-imposed or wrongly imposed upon us by others. There are many things in our lives that we have been made to feel wrongly ashamed of. Some of these include sexual orientation, porn, alternative lifestyles, pagan spirituality, or even the choice to avoid religion and spirituality altogether. None of these things are cause for shame.

A large part of true dark magic is the process of examining the Shadow Self, a term coined by psychiatrist Carl Jung. He stated “To confront a person with his own shadow is to show him his own light”. Once we acknowledge our darker aspects, we can work on transforming them or integrating them into our lives in a healthy, positive way. What are some of my personal struggles? Anxiety. Depression. Inadequacy. Self-Esteem. These are things I struggle with often, but I accept them as part of who I am. I talk about these issues openly with others. I don’t pretend my life is perfect. To help me deal with these things, I use affirmations, meditation and medication. These and other therapies help a great deal but they don’t take it all away.

There has been so much focus on “Love and Light”, particularly in the Wiccan and New Age movements. There is this idea that ignoring or denying our darker natures will somehow make them non-existent. “No bad vibes” is a popular saying that is actually harmful. We can’t live in a bubble where we pretend everything is rainbows and unicorns, and we can’t expect the same from everyone around us. None of us live perfect lives. We all have struggles, and we must acknowledge that throwing “love and light” at everything does not always provide a solution. There must be a balance of both dark and light, and these are two sides of the same coin. Those who practice paganism through a darker lens find comfort and solace in their rituals. These energies are not evil or malevolent, they merely operate on a different vibration.

By working with these dark energies, we perform magical practices that work to make our lives better and more fulfilled. Some of us prefer to approach magical spirituality through a darker aesthetic. “Dark Energies”, for the purpose of this article, refer to dark stones and plants, the waning and dark moon phases, the Shadow Self, dark aspects of deity, dark animal guides, the allure of the night, and certain kinds of divination.

Any form of magical practice requires us to look within. We examine our motives and desires to see if our magical working is coming from a place of love, or anger, or healing, or revenge. We examine any possible outcomes that may result and adjust our spells accordingly. I don’t consider witchcraft itself to be a form of therapy, however, many practices do require the practitioner to look within and examine themselves. We take responsibility for our spells and enchantments, adapting and improving them in such a way that the result is best for all involved.

Call me a stick-in-the-mud, but I still believe in the Old Ways. We need to be careful what we label as a “modern idea” or even an “outdated” one. There are some bandwagons that I refuse to jump on just because it is the trendy thing to do. Author/Teacher Raven Grimassi spoke of the “momentum of the past”, describing how many magical practices and concepts have accumulated power over the years because they have been done the same way for so long. Altering or changing them dilutes their power. Please do not take magical advice from teenagers on TikTok, or from anyone who is not a well-respected author/teacher that has been around for awhile. There are truthfully only a handful of teachers I would personally recommend, as these are people I have met in person, I have studied their work or I have taken classes with them. I don’t have to agree with every single thing they say, but much of what they share and teach does resonate with me and my practice. I trust their experience, which is something sadly lacking in many self-described “experts” on social media. Having a best-selling book or thousands of followers are not necessarily good indicators of a worthy teacher.

Witches of the Old Ways are deeply connected to the powers of the night, and to various herbs and plants, many of which are quite toxic. It is only in modern times that witchcraft took on a lighter, more sanitized tone. Witches of the Old Ways do not turn the other cheek, nor do they ascribe to the Wiccan ‘harm none’ philosophy. There are times when banishings, bindings and even curses are absolutely called for. I have always believed that witches are meant to be respected and feared in equal measure. To provoke a witch is to incur consequences. The ‘threefold law’ is another Wiccan invention, and is one that we do not see played out in the real world. If one watches the news regularly, we see many instances where harm is caused without punishment, threefold or otherwise. Modern Wicca has sanitized the image of contemporary witches, who many view as docile and harmless New Age hippie folk who surround themselves with pretty crystals and scented candles. This is not an accurate picture. It is unfortunate that as witches we are not approached with the same trepidation we once were. In the old days, those seeking solutions to their problems visited the local witch as a last resort when all other efforts had failed. Witchcraft in today’s society has become incredibly commercial, with anyone and everyone calling themselves a witch and charging exuberant prices for their services. Many of these charlatans have no idea what it really means to be a witch, and some of the younger folks have foolishly attempted to redefine what witchcraft is.

The practice of witchcraft is not as simplistic as some people try to make it seem. It is not “whatever you want it to be”. It is not “picking up a rock” or “looking at the moon”. It does seem at times that younger pagans find witchcraft too boring, they want something more exciting, so new ideas are introduced, many of which only detract from rather than add to the practice of witchcraft. Some have said “Just because something is old doesn’t make it better”, but I have to disagree and say that just because something is new doesn’t make it necessarily better either.

Many modern books about witchcraft present a Disney-fied, watered down version to make it more acceptable to the masses. The Wiccan Rede and the Threefold Law are modern inventions that did not exist before Gerald Gardner and Doreen Valiente. Before Wicca, most witches were simply witches, who lived by their own ethical codes and moral standards. The Wiccan Rede has become somewhat of a disclaimer, as in “Yes, I’m a witch but that’s okay because I follow the Rede”. They don’t want to be thought of as “that kind” of witch, one who banishes and curses, yet these are also part and parcel of witchcraft. It is commonly known that not all witches follow the rede, but this does not necessarily make them “unethical” witches. Witches who do not follow the rede are sometimes called “Traditional” witches, but this term can be confusing as it implies one who follows a tradition, such as Alexandrian or Gardnerian. Both Traditional and Old Ways witches are sovereign, meaning they are self-ruled and self-governed, unbound by redes and ‘threefold’ laws. When I tell someone I’m a witch, they often say, “But you’re a good witch, right?” To which I reply, “If you’re good to me, I will be good to you”. This is usually followed up with, “But you don’t put curses on people, right?”, and I reply with a smile,“Only if they deserve it, and sometimes they do”. I actually like the fact that this makes some people apprehensive. It means they know to show me respect.

I have to question the spiritual maturity of gatekeepers, those who attempt to police how other people practice. These are people who say, “You’re not authorized to use this practice unless you’re…(insert culture or tradition here)”. Cultures have borrowed from one another for centuries. There is no culture that has not been influenced in some way by another. ‘Cultural Appropriation’ is an expression that gets thrown around a lot these days, mostly by people who do not fully understand what it means. There is nothing at all wrong with engaging in practices from any culture, as long as one understands the importance of that practice to the culture which it belongs. Becoming acquainted with the history, language, symbolism and folklore of a particular culture is also recommended for those who wish to use magical practices from another culture or tradition. Examples of real cultural appropriation would include the person who wears Native American dress but is not themselves a true Native American. It would include dancers at Celtic festivals who wear those fake “Irish curls” in their hair to give the appearance of being Irish. Cultural Appropriation occurs when elements of a particular culture are used in an exploitative or stereotypical manner.

Social media is rife with people sharing information that is completely untrue. Here are a few of these myths:

  • You’re not a witch unless you’ve been initiated by another witch.
  • Covens can only be formed by a 3rd Degree High Priest/ess.
  • Tarot is a closed practice, it is only for those of Romani descent.
  • You can only honor deities from the culture you were born into.
  • Only Native Americans can have animal familiars.

These are all false statements. Rather than getting magical advice from strangers on social media, it is better to do your own study, getting information from well-respected authors and teachers. Read, read and read some more. Take a few classes if you can afford it. Another person’s magical/spiritual practice isn’t “wrong” just because it is not how you learned it. I share what has worked for me and encourage others to try my methods, but if they don’t feel right for someone there is nothing wrong in that. In the end, all that really matters is that you do what works best for you, and turn a deaf ear to those who say otherwise.

I have to scratch my head at those who seek an academic study of witchcraft, as this would be rather difficult due to it’s experiential nature. Witchcraft is a mystical practice with many aspects that cannot be backed up with footnotes and references. A magical system that works well for one practitioner may not necessarily work the same for another. Add to this the subjective nature of symbols, and the fact that many witches have unconventional abilities that they discovered quite by accident, abilities they did not learn from a book or a teacher. Such things cannot be “researched and vetted”.

Many people consider things like healing and personal growth to be associated with the lighter aspects of witchcraft, but it is also true that a person can find healing and personal growth from the darkness as well. It is important that we embrace the darkness as much as we embrace the light.

The Art of Magical Living

We live in a world of magic. It is truly all around us. It is in the wind that blows through the trees, in the rushing waters of a mountain stream and in the flame of a burning candle. There is magic in the hooting of the owl, the majestic stag as it trods through the forest, and the salmon as it leaps upstream. Even we ourselves are magical beings, each with our own unique skills and abilities. Whenever we chant an incantation, light a candle or burn special herbs to bring good things into our lives, we become vessels of magic. When we place quill to parchment, paintbrush to canvas, or fingers to a musical instrument we allow the magic within us to be expressed outwardly in creative ways.

As magical beings, we infuse magic into everything we do. It is truly an art to live this way, for one must become familiar with the ways of magic and the subtle energies that make it work. But, what is magic? It is both something we do and something we are. The popular definition of magic is “The art of causing change to occur in conformity with will” (Aleister Crowley). This definition has been analyzed, dissected and interpreted many different ways. My own definition of magic is “The art of partnering with the forces of Nature and the Universe to create desired change”. This includes utilizing our own inherent gifts and abilities. Magic is a creative force that is both tangible and intangible. Magic can exist in the melody of a song, in the words on a page or in the feet of a dancer. Natural settings such as a grove of trees, a field of lavender or a circle of stones can be magical. It is that quality that makes us catch our breath and we suddenly realize, “There is magic here”. We can learn to harness these forces, and use them to create positive change. We can use magic in practical ways through meditation and the casting of spells. To live a magical life is to feel the inner spark that draws us to the deeper mysteries. We can learn to appreciate the magic of the natural world as it is revealed in plants and flowers, trees and stones. We can revel in the beauty of magic as it is expressed in the moon, the stars and the planets. The belief in magic reaches back through the centuries, to the very beginning of human civilization.

Neolithic man would draw pictures of themselves capturing animals on the walls, in the belief that this would bring the animals to them. History tells us that the earliest records of magical folk were the wise-women and cunning-men who lived on the outskirts of villages and towns. They were knowledgeable in the healing properties of herbs and plants, often providing herbal concoctions and potions for those who needed physical healing. They also practiced divination and read the signs in the night sky. An old word for ‘Witch’ is pharmaceute, from which we get the word pharmacist. This links the witch to those who were skilled in herbal healing arts.

We are not bound by redes or ‘threefold’ laws, but are guided by our own intution and magical wisdom. We too can work with the magical energies of Earth, Air, Fire and Water. We can learn to see magic where others do not. Those who live a magical life walk between the worlds of the Seen and the Unseen. They find magic in the Light and in the Dark. They walk along the threshold where magical and mundane worlds intersect. We choose to live in tune with nature and the cycle of the seasons. Earth, Air, Fire and Water all contain their own unique energies. All aspects of magic can be found within these four elements. Every tree, flower, plant and stone is alive and sentient. Nature desires to communicate and interact with us. Through meditative and shamanic techniques, we can form bonds with various aspects of nature, which will in turn partner with us in our magic to create the changes we seek in our lives. To live a life of magic, we need look no further than nature itself.

Many people go through life with no magical awareness. Their daily routine seems to hold no magic, but it is there nonetheless. Even one’s place of work can be magical in subtle ways. Some people are predisposed to magical living, and it comes quite naturally. Others need a bit of study and practice, but anyone can live a magical life.

Let us move beyond any romanticized New Age “rainbows and unicorns” ideas of magic and begin to see magic not only as a powerful force for change, but as an integral part of who we are.

Celtic Magic

Before we explore various aspects of Celtic magic, it is important to understand what is meant by Celtic. The term Celtic refers to a cultural tribal group who moved into Northern Europe, the British Isles and Ireland. They are identified by their use of art, language, symbolism and mythology. There are two strands of Celtic culture, each recognized by it’s language. Q Celtic refers to the Gaelic languages: Scots Gaelic, Irish Gaelic and Manx (spoken on the Isle of Man). P Celtic refers to the Brythonic languages: Breton, Cornish and Welsh.

One does not have to be descended from a Celtic bloodline to practice Celtic magic. Anyone who feels a connection to the Celtic gods and goddesses are invited to draw near to them. The Celtic magical tradition is focused more on culture and mysticism rather than bloodline. Anyone can practice Celtic magic, despite what the self-appointed gatekeepers say.

While most magical systems acknowledge the four elements of Earth, Air, Fire and Water, in Celtic magic the emphasis is placed on Land, Sea and Sky. It may appear the fire element is absent, however, the fire exists within the practitioner. Celtic pagans draw fiery energy from within themselves and into their enchantments. Another aspect of fire being within is the concept of Nwyfre. This is a Welsh word that means “life force”, and this life force exists in everything. Nwyfre has been linked to the Dragon, another source of fire. Fire transforms, or is transformed by the other elements.

Fire burns the Land (Earth).

Fire is quenched by the Sea (Water).

Fire is fueled by the Sky (Air).

Those who practice Celtic magic celebrate the same holidays as other pagans, as most of these holidays are of Celtic origin. We know that the Celts only recognized a few of these, such as Beltane, Lughnasadh and Samhain, however, modern Celtic pagans celebrate eight holidays in total.

These holidays include IMBOLC, occuring on February 1st or 2nd which honors the Celtic Saint/Goddess Brigid. The SPRING EQUINOX occurs around March 21st and celebrates the newness of life and the reawakening Earth. BELTANE takes place on May 1st, a very erotic and sexually charged holiday. The SUMMER SOLSTICE occurs around June 21st. LUGHNASADH takes place on August 1st and is the first harvest festival of the year, named after the Celtic god Lugh. Around September 21st is the AUTUMN EQUINOX or MABON, the second harvest festival named after the Welsh figure Mabon. SAMHAIN, the third and final harvest, is celebrated on October 31st, when departed loved ones are honored and believed to be closer than ever. The WINTER SOLSTICE, what many pagans refer to as YULE, takes place around December 21st.

While we know very little about spiritual practices of the ancient Celts, modern scholars believe clues can be found in the lore and legends. It is true that the Druids, the spiritual elders of the Celtic peoples, did not write anything down. However, there are at least fourteen classical authors who lived during the time of the druids and documented some of their practices. The Celtic tales are believed to contain many hidden mystical lessons. These lessons are revealed only through study and meditation, and by placing ourselves within the stories. To be understood, they must be experienced. For those who wish to practice Celtic magic, a working knowledge of the mythology is a priority.

The primary magical tools of the Celtic pagan are the cauldron and the wand. Both of these feature prominently throughout Celtic lore. The cauldron is a container of energy and also acts as a vessel of communication. When we place our hands on the cauldron, we tap into centuries of magic and make a connection to the divine mind of the ancient gods and goddesses of Ireland, Scotland and Wales. The most important cauldron is the one that belongs to Cerridwen, a Welsh goddess of Transformation and Initiation. From her cauldron is the source of Awen, a Welsh word that means “Divine, Poetic Inspiration”. Cerridwen is the original cauldron-stirring, potion-brewing witch. She is the spiritual mother of the “inspired ones”, sometimes referred to as the Awenyddion.

Other gods and goddesses of Celtic lore and legend include:

Brigid: Goddess of Healing, Poetry and Smithcraft. She is both Goddess and Saint. Those who follow her are called Flamekeepers, keeping alive an old tradition of the Brigidine Sisters tending the holy flame at the monastery of Brigid at Kildare. Her sacred day is Imbolc.

Lugh: The Celtic Sun god. He is called The Many-Skilled One, skilled in all the arts. An accomplished warrior, athlete, harpist and poet. The holiday Lughnasadh (“Games of Lugh”) is named after him.

The Morrigan: Goddess of War, Magic and Death. She is a triple-goddess also known by the names of Badb, Macha and Anu. Her sacred animals are the Crow and Raven.

Manaanan Mac Lir: Sea God of the Tuatha De Danaan. He possesses a horse than can gallop across the waves, a ship that needs no oars or sails to travel, and a sword that can fill men’s hearts with fear. The waves of the sea are called “the horses of Manaanan”.

Rhiannon: Welsh horse goddess of magic, forgiveness and wisdom. She is also associated with birds. The “Birds of Rhiannon” are three birds who can wake the dead and lull the living to sleep.

Cernunnos: Stag god of the forest, primal, masculine ruler of animals and all green things that grow. He is often portrayed as a man with antlers.

In some versions of the tale of Manaanan Mac Lir, his wife Aoife was turned into a crane. When she died, Manannan made a bag from her skin that would hold magical items. Many Celtic pagans make crane bags in which they place items of magical or spiritual significance. It can be made of leather, cotton, linen, wool or any other fabric. It can be any color, and may be decorated with Celtic symbols or imagery. The Crane Bag is similar to a Mojo Bag or Medicine Bag, and what you place in it is entirely up to you.

Such items may include:

• Crystals and Stones

• Seashells

• Plants, leaves, twigs, roots or bark

• Herbs, plants or flowers

• Seeds

• Feathers

• Fur, nails, bones, claws or other animal parts

• Animal, plant or spirit guide figures

• Ogham, runes or other items with magical symbols

• Any other items with a spiritual purpose

When practicing divination, many Celtic pagans look to the wisdom of the Ogham. The Ogham began as an ancient British and Irish alphabet, consisting of twenty characters formed by parallel strokes on either side of, or across a continuous line. It evolved into a system of divination, largely due to the work of Robert Graves in his book The White Goddess. Each ogham symbol is associated with a specific tree and a divinatory meaning.

Ogham staves

A 15th century Irish manuscript known as the “Cauldrons of Poesy” tells us that the human body contains three cauldrons. These cauldrons are located in the head, heart and belly of each person. The cauldron in the head is the Cauldron of Wisdom, ruling spiritual health. The cauldron in the heart is the Cauldron of Motion, ruling Psychic Health. The cauldron in the belly is the Cauldron of Warming, ruling physical health. These three cauldrons are similar to chakras, as each one represents various aspects of life. They are used in meditation, visualizing each cauldron in the upright position.

Symbols used in Celtic magic include the triquetra and the triskele. The triquetra is a Celtic knot symbol consisting of a triple knot with with a circle in the middle. The triskele is a triple spiral that appears to be in motion, as if it is spinning. Both of these symbols represent the Land, the Sea and the Sky. They can be carved onto candles or drawn on parchment paper when casting spells. Objects with these symbols can be placed on your altar. Other imagery can be used, such as pictures of Stonehenge, Brigid’s Cross or figures of animals that appear in Celtic lore.

There are many facets of Celtic magic, and this article only addresses a few of them. The Celtic tradition is rich with symbolism and mystical lore. Those who hear the whispers of the stone circles and the misty moors are invited to draw close to the ancient gods of Ireland, Scotland and Wales.