The concept of the Witch’s Circle is not a modern invention, and is not solely a Wiccan practice. It is used by ceremonial magicians, traditional witches, and even some druid groups. Many medieval woodcuts depict witches standing in or casting a circle of protection. Famous works of art, such as the 1886 oil painting The Magic Circle by John William Waterhouse (below), depict a witch casting a circle using a sword.

What is the Witch’s Circle?
As witches are weavers of energy, they utilize it in many forms. The celestial energies of the stars and planets, the natural energies of stones, plants and trees, as well as the elemental energies of earth, air, fire and water all work together with the witch as companions in magic. Casting the circle creates an energetic boundary of protection around the witch, keeping in only those energies that are needed for magical workings and keeping out anything that may be harmful. The circle typically involves the use of intention, visualization and incantation. A proper circle requires strong focus and concentration, and should not be attempted in a casual or haphazard manner. Take your time and don’t rush it. It is not uncommon to sense a change in temperature or a difference in atmosphere when the circle has been cast successfully. It has been noted that often the person casting the circle will not feel any changes, but others present in the circle will notice a marked change. When casting the magic circle, some traditions begin in the north, others in the south. Practitioners may use a wand, an athame, a sword, or just the hand. Some will cast a circle with specially selected herbs or with salt. When the circle has been completed, it is not merely a circle but a sphere. The circle caster may either stand in the center and turn, or walk the perimeter of the circle. Either method will depend on available space, the location of the altar, how many people are present, or whether the ceremony is indoors or outdoors. For outdoor and public circles, I place the altar in the center and walk the perimeter of the circle. My indoor altar sits against an east facing wall, only because of space limitations. I stand in the center of the room and cast my circle to the walls. An outdoor circle can also be traced on the ground with a stang (a forked wooden staff).
The circle is cast by walking (or turning) three circles in a clockwise direction. Various traditions have their own circle-casting incantations, but they typically go something like this:
(Circle One) I cast this circle to protect me (us) from all harmful energies.
(Circle Two) I cast this circle to allow only the most perfect energies for this work, and block out all other energies.
(Circle Three) I cast this circle to be a sacred space and a world between worlds, where the highest will is sovereign.
(This particular circle call is inspired by author/teacher Christopher Penczak, and I use it in my own circles. I have found it very effective).
It is important to speak loudly and with authority. This isn’t a game and you’re not just saying words. We are working with energy here, bending and shaping it with our will, intent and visualization. As we walk the circle, we see it in our mind’s eye as a blue light emanating from the wand, athame or coming out of the hand. When your ceremony or ritual is complete, then you will release the circle. Some traditions use the terms “opening and closing”, but I prefer “casting and releasing”, which makes more sense to me. To release the circle, simply walk the circle in only one counter-clockwise direction and say something like “I release this circle out into the universe”. Again, various traditions will have their own incantations for circle casting and releasing, but you can certainly write your own. The main purposes for the circle are to be a boundary of protection, a container of energy, and to be a sacred space. The circle should be cast before doing any magic, rituals or ceremonies. I use the circle for any magical workings I do at the altar, including divination.
There are many other nuances to casting the circle, indeed entire books have been written about it, but in this article I wanted to share some important considerations. This article did not address the calling of the elements, deities or directions. I wanted to focus primarily on the actual casting and releasing of the circle. For a more detailed description of circle-casting and ritual ceremony, I recommend the wonderful book, “The Outer Temple of Witchcraft: Circles, Spells and Rituals”, by Christopher Penczak.



